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Lachlan Bryan
Criticism of Australian art and music, anchored to the rooms, roads and paperwork where it actually happens.
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Author: Clinton Morrison

The Shared Sensibility of Australian Music and Visual Art

Jul 16, 2026 Clinton Morrison

There is a particular light in Australia. It bleaches the landscape, flattens distance, and turns the horizon into a thin,…

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The Decline of the Art Catalogue as a Serious Form of Writing

Jul 11, 2026 Clinton Morrison

There is a particular smell to a gallery storeroom in February. Dust, archival cardboard, the faint chemical sweetness of old…

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The Dry Hum: Where Australian Music and Visual Art Meet

Jul 8, 2026 Clinton Morrison

There’s a quality to Australian art that’s hard to pin down. Not a style, exactly, or a movement with a…

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The Shared Sensibility of Australian Music and Visual Art: A Dry-Eyed Look

Jul 6, 2026 Clinton Morrison

There’s a particular light in Australia. It doesn’t just illuminate; it flattens, bleaches, and leaves the landscape looking exposed and…

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The Same Dust: How Australian Music and Visual Art Share a Sparse Sensibility

Jul 4, 2026 Clinton Morrison

There’s a light here that doesn’t do anyone any favours. Not the soft, golden glow that makes Tuscany look like…

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The Dry Wit and Wide Skies: How Australian Music and Visual Art Share a Common Sensibility

Jul 3, 2026 Clinton Morrison

There’s a particular kind of light in Australia. It bleaches the colour out of the landscape, flattens the horizon, and…

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The Dry Wit and Sprawling Silence: How Australian Music and Visual Art Share a Common Sensibility

Clinton Morrison

There’s a particular kind of space you find in a Fred Williams painting. It’s not the heroic, postcard emptiness of…

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