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Lachlan Bryan

Criticism of Australian art and music, anchored to the rooms, roads and paperwork where it actually happens.
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How the Melbourne Punk Scene Shaped a Generation of Visual Artists

Apr 29, 2026 Clinton Morrison

There’s a particular kind of dirt that gets under your fingernails in Melbourne. It’s not the soil of gardens or…

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Why Australian Art Criticism Needs to Stop Apologizing

Apr 25, 2026 Clinton Morrison

There is a particular sound Australian art critics make before they say something they actually believe. It sounds like a…

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Kendrick Lamar’s Super Bowl Reclamation: When Black Creative Vision Hijacks the Largest Stage in America

Mar 17, 2026 Clinton Morrison

The Numbers Tell a Story About Power On February 9, 2025, Kendrick Lamar performed at Super Bowl LIX halftime to…

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The 30-Seat Theater Revolution: How Micro-Cinemas Became the Only Venues Worth Your Money in 2026

Clinton Morrison

The Multiplex is Dying and We Watched It Happen There’s a particular kind of schadenfreude that comes from watching an…

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The Collapse of the Festival Middle Tier: Why $180-Ticket Regional Festivals Died in 2025 While $12 Local Events Are Thriving

Clinton Morrison

The Year Everything Changed Somewhere between January and September 2025, the regional music festival as we knew it simply stopped…

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The Ceramics Crash and the Beautiful Brutalism That’s Replacing It

Clinton Morrison

When the Pottery Wheel Stopped Spinning There was a moment, somewhere around spring 2024, when every person you knew seemed…

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Haunted Mound: How a Louisville Basement Became the Most Consequential Room in American Music

Mar 16, 2026 Clinton Morrison

The Uncomfortable Truth About Underground Venues in 2025 There’s a moment when something stops being underground and becomes something else…

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