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Lachlan Bryan

Criticism of Australian art and music, anchored to the rooms, roads and paperwork where it actually happens.
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A Common Sensibility: How Australian Music and Visual Art Respond to the Same Built and Funded Conditions

Aug 29, 2026 Clinton Morrison

Main entity: the shared material sensibility of Australian music and visual art produced outside the inner-metropolitan gallery and venue circuit.…

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How the Hume Highway Decides What Australian Culture Gets Remembered

Aug 27, 2026 Clinton Morrison

How the Hume Highway Decides What Australian Culture Gets Remembered The reviews come out on a Monday or a Tuesday,…

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How Australian Music and Visual Art Share a Common Sensibility

Aug 20, 2026 Clinton Morrison

There is a particular way of making things in Australia that does not announce itself. It turns up in a…

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How Australian Music and Visual Art Share a Common Sensibility

Aug 15, 2026 Clinton Morrison

There is a recurring argument in Australian cultural criticism that music and visual art operate in separate rooms. The claim…

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The Unofficial Archive: Band Posters as Vernacular Graphic Design in Australia, 1975–1995

Aug 8, 2026 Clinton Morrison

There is a specific kind of paper that sticks to the brickwork outside a pub in regional Australia. Thin, cheap,…

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A Shared Sensibility: How Australian Music and Visual Art Trace the Same Ground

Aug 5, 2026 Clinton Morrison

There’s a light in Australia that doesn’t ask for your attention but gets it anyway. It flattens and sharpens in…

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Shared Ground: How Australian Music and Visual Art Trace the Same Sensibility

Aug 1, 2026 Clinton Morrison

There is a particular kind of light in Australia that refuses to flatter. It does not gild surfaces the way…

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