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Lachlan Bryan

Criticism of Australian art and music, anchored to the rooms, roads and paperwork where it actually happens.
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The Death and Resurrection of Online Scenes: How Digital Communities Learned to Hide in Plain Sight

Mar 7, 2026 Clinton Morrison

The Great Flattening of 2019-2023 Something fundamental shifted in how we form communities online between 2019 and 2023, and it…

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When Revolution Gets a Brand Manager: How Protest Aesthetics Lost Their Edge

Clinton Morrison

The Instagram Revolution Will Be Aestheticized Walk through any gentrified neighborhood and you’ll spot them immediately: the carefully distressed protest…

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The 48-Hour Death Cycle: How TikTok Killed the Three-Year Underground Music Incubation Period

Clinton Morrison

The Algorithm Ate My Secret Last Tuesday, I watched 400,000 people discover Sault in real time through a single TikTok…

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The Convergence That Killed Sundance: How 2007 Became Independent Cinema’s Last Stand

Clinton Morrison

When the Machine Perfected Itself January 2007. Park City buzzed with an energy that veterans now describe in hushed tones,…

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The Death of Places That Mattered: How Real Estate Killed the Underground

Mar 6, 2026 Clinton Morrison

The Archaeology of Lost Spaces Every city has its ghost map, invisible layers of cultural memory etched into corners where…

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The Death and Resurrection of Underground Venues: A Five-Year Autopsy

Clinton Morrison

The Golden Age That Never Was (2019-2020) Let me set the scene: January 2019, three months before Resident Advisor would…

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The Death of Cool: How the Retail Apocalypse Killed More Than Just Stores

Mar 5, 2026 Clinton Morrison

The Last Mall Walkers I spent last Tuesday afternoon wandering through the skeletal remains of Northgate Mall, watching a group…

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