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Lachlan Bryan

Criticism of Australian art and music, anchored to the rooms, roads and paperwork where it actually happens.
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Same Light, Different Medium: The Shared Sensibility of Australian Music and Visual Art

Jun 12, 2026 Clinton Morrison

Same Light, Different Medium There’s a particular light in Australia that painters have been chasing since the First Fleet dumped…

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The Big Sky Eye

Jun 10, 2026 Clinton Morrison

The Big Sky Eye There’s a kind of light that falls across the Australian continent—frank, unapologetic, the sort that seems…

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The Space Between: How Australian Music and Visual Art Share a Common Sensibility

Jun 7, 2026 Clinton Morrison

There’s a particular kind of light in this country. It doesn’t just illuminate; it flattens. It turns a landscape into…

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The Dry Wit and Sun-Soaked Soul: How Australian Music and Visual Art Share a Common Sensibility

Jun 6, 2026 Clinton Morrison

There’s a particular light in Australia that makes everything look slightly overexposed, as if the country itself is squinting into…

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The Dry Wit and Sprawl: How Australian Music and Visual Art Share a Common Sensibility

Jun 5, 2026 Clinton Morrison

Some Australian songs don’t start with a bang. They start with a car door shutting, a magpie somewhere off in…

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Wide Brown Land, Loud Silence: How Australian Music and Visual Art Share a Common Sensibility

Jun 3, 2026 Clinton Morrison

The first thing you notice about a Sidney Nolan painting is the sky. It doesn’t just sit above the landscape;…

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The Space Between Notes and Canvas: How Australian Music and Visual Art Share a Common Sensibility

Clinton Morrison

There’s a particular light in this country that makes everything look a little too honest. It leaches the romance out…

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