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Lachlan Bryan

Criticism of Australian art and music, anchored to the rooms, roads and paperwork where it actually happens.
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The Shared Frequency of Australian Music and Visual Art

Jun 1, 2026 Clinton Morrison

There’s a particular kind of light in Australia that makes everything look slightly overexposed and a little menacing. It’s the…

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The Wide Brown Land of Sound and Sight: How Australian Music and Visual Art Share a Common Sensibility

Clinton Morrison

There’s a particular flatness to the Australian sky that doesn’t exist elsewhere. Not flat as in empty, but flat as…

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The Dust and the Drone: How Australian Music and Visual Art Share a Common Sensibility

May 31, 2026 Clinton Morrison

There’s a particular kind of light you notice in Australian painting—a flat, bleaching sharpness that makes shadows sit like cutouts.…

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Sunburnt Sound and Scarred Canvas: How Australian Music and Visual Art Share a Common Sensibility

May 29, 2026 Clinton Morrison

There’s a light in Australia that you don’t get anywhere else. Harsh enough to bleach the landscape down to bone,…

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The Unkempt Heartbeat: How Australian Music and Visual Art Share a Common Sensibility

May 26, 2026 Clinton Morrison

There’s a restlessness in Australian art—a refusal to sit neatly in the frame. Not rebellion, exactly. Rebellion needs a target.…

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The Shared Sensibility of Australian Music and Visual Art

May 23, 2026 Clinton Morrison

Somewhere between the second and third beer, you notice it. Not a sound exactly, not a specific image. More like…

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The Dry and the Drenched: Common Sensibility in Australian Music and Visual Art

May 20, 2026 Clinton Morrison

There is a particular kind of light here. It is not kind. It flattens the landscape, bleaches the colour from…

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